Nearly three decades after its release, Tom Hanks looks back with appreciation at his film “That Thing You Do!” He acknowledges the movie’s transformation into a cult classic, despite the divisive reception it initially faced. The film, which captures the rise of a fictional 1960s boy band, exemplifies that the journey of a piece of art—its reception by critics and audiences—can change dramatically over time. This realization is pivotal in understanding how cultural and temporal contexts can redefine a film’s legacy.
In a candid appearance on the “Conan O’Brien Needs a Friend” podcast, Hanks humorously criticized film critics for their inconsistent evaluations. He shared how reviews oscillate between praise and scorn, illustrating the troubling nature of critical analysis. “We hate it, we like it…this is the worst thing,” he summarized the critics’ polarizing perspectives on his work. His remarks highlight an ongoing discourse surrounding the subjective nature of film critique. Rather than a definitive verdict, critiques can often reflect the critics’ personal tastes rather than an objective assessment of artistic merit.
Hanks elaborated on an intriguing aspect of film appreciation—the passage of time. He noted that what may have felt like a failure at one moment could gain appreciation in a different era. The dynamic relationship between audiences and films inevitably shifts, with many movies experiencing a renaissance long after their initial release. As Hanks articulated, it is not uncommon for past misjudgments by critics to be flipped into accolades as public perception evolves. This phenomenon speaks volumes about cultural shifts and changing societal values, which can influence how stories resonate decades later.
While discussing critiques, Hanks didn’t shy away from using humor and profanity to emphasize his points. Referring to a particular critic with colorful language, he highlighted the sometimes absurd disconnect between a critic’s initial reception and later reappraisal. The irony of a single reviewer labeling “That Thing You Do!” as ‘shot on TV’ to later dubbing it a ‘cult classic’ underscores the fickle nature of film reviews. Hanks portrays this as part of the inherent chaos of filmmaking—a game that includes both triumph and disappointment.
Beyond Hanks’s own reflections, the movie features an impressive ensemble cast, including Liv Tyler and Steve Zahn, all contributing to its charm. Such collaborations often define a film’s impact, and “That Thing You Do!” serves as an excellent example of how collective performances can elevate a project. The film’s catchy title track, nominated for prestigious awards, further underscores its artistic legacy and demonstrates how elements of commerciality and artistry can coexist in film.
Ultimately, Tom Hanks’s experiences and reflections on “That Thing You Do!” illustrate the intricacies of filmmaking and audience reception. As he candidly acknowledges the unpredictable cycle of public memory and appreciation, Hanks stands as a testament to the truth that sometimes, time is the ultimate critic. While initial reception may flounder, the lasting legacy of creativity, collaboration, and cultural resonance can result in a cherished classic. It serves as a reminder for creators: their work may indeed find its voice, resonating with audiences in ways initially unimaginable.
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